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A Forgotten, Complicated Classic in Walking Tall
This unexpected 1973 blockbuster is based on an amazingly true story that still challenges audiences with its complex notions of justice and revenge.
News
After Years Positioning Herself as a Housing Leader, Bowser Beats a Retreat in Her New Budget
Advocates and lawmakers are alarmed by Bowser’s proposals to walk back spending on development and rental assistance.
Bowser-Mendelson Battle Over Free Metrobus Program Peaks as Budget Season Arrives
The dispute is drawing in Chief Financial Officer Glen Lee as Mendelson pushes back against the CFO’s expansive authority.
Sexual Harassment Allegations Against John Falcicchio Throw Bowser Administration Into Chaos
Wilson Building insiders wonder how Bowser’s government will function without her most prominent deputy.
Food
Good Taste: Petworth’s Little Vietnam Goes Big With Fun, Flavor-Charged Fare
The small restaurant on Upshur Street NW serving rich and flavorful dishes has serious staying power.
Zinnia Crew Revs Up Motorkat in Takoma Park’s Republic Space
Expect wood-grilled dishes and a vibrant raw bar program when the restaurant opens next month.
A Different Kind of Buzz: Drunk Fruit Brings Asian-Inspired Drinks to the DMV
The company sells hard seltzer in flavors such as lychee, melon, and yuzu.
Arts
Artist Maurice James Jr. on Creating a New Black Mythology
On display at three current exhibits—two in Anacostia—the local artist blends American history with Black culture to put a new story front and center.
Ballet Flamenco’s Sara Baras, Daytime Dancing, and More Best Bets for March 23–29
Extended Play revives our dance music scene, SheROCKS and DC History Conference turn 10, Sara Baras returns to D.C., and not one but three must-see art exhibitions.
Indecision Kills in French Drama Rodeo
Budding filmmaker Lola Quivoron’s feature debut has fascinating moments and grainy beauty, but remains too austere to fully hook viewers.
Philip Guston Now: Better To See Reality, However Harrowing, Than Conceal It
After a delay of several years, the National Gallery of Art’s special exhibition is finally open to the public, addressing the odd, the clumsy, and the horrific rather than turning away.
