April 22 Is Now “Sixth & I Day” Across the District

Sixth & I celebrates 20 years of serving D.C. as a community hub for cultural and spiritual enrichment.

There are few local cultural spaces as influential as the Sixth & I Historic Synagogue. For the past two decades, the community center and venue has made thought-provoking entertainment accessible to people across the District and this April, it is celebrating 20 years of being a cultural hub.  Located in the heart of Chinatown, Sixth…

2024 Spring Arts Guide

D.C.’s State of the Arts You might think that after three years I’d be bored with our biannual arts guides. Haven’t we seen and done it all, you might ask? After all this time steeped in the arts in D.C., am I not immune to her charms? The reality is that each and every time…

Diana Movius Uses Dance to Inspire New Climate Activists

In GLACIER: A Climate Change Ballet, the local choreographer and climate expert depicts climate change through dancers embodying melting, cracking ice.

Climate change has been a key part of Diana Movius’ life ever since the fourth grade. She distinctly remembers that day in elementary school when a scientist came to talk to her class about deforestation and climate change.  “I was just absolutely devastated. Because before that, I had no idea that climate change was a…

Anastasia Johnson Takes the Helm as Dance Place’s Next Education Director

The choreographer has been working at the Northeast studio since 2018, learning new skills along her way to the top.

In February, Dance Place hosted a “hair show,” billed as a journey about Black hair and its symbolism of Black resilience, art, culture, and pride. City Paper receives at least 100 inquiries about upcoming dance performances a year—and this one, “Color Me (Curly) Hair,” is one of the most original we’ve seen. The event brought…

Revenue High, Spirits Higher at the Washington Ballet

The company’s 2023 production of The Nutcracker brought in $3.4 million, new audiences, and good omens for the year ahead.

The magical Christmas tree wasn’t the only greenery growing at the Washington Ballet’s The Nutcracker in December. The company made $3.4 million in ticket revenue from 31 performances at the Warner Theatre—not counting its three shows at THEARC.  To put it in perspective: That’s about $200,000 less than the production’s all-time high in 2022, but…

Come to the Cabaret: Nova Y. Payton Sings Burt Bacharach

Nearly a year after the esteemed composer’s death, local star Nova Y. Payton performs a 90-minute show dedicated to Bacharach—and his muse Dionne Warwick.

American songwriter Burt Bacharach didn’t have to die to have a moment, but he did have to die to get a D.C. cabaret.  Nova Y. Payton, one of Washington’s most beloved theater artists, acknowledged that reality early on in her endearing 90-minute cabaret act, “That’s What Friends Are For.” (The tuneful evening at Arlington’s Signature…

Kink for a Cause at MAL Weekend

KINETIC Presents takes over D.C. for the city’s annual Mid-Atlantic Leather Weekend, returning Jan. 11 through 15.

D.C. is seen by many as a historically buttoned-up city, but the buttons will come undone this weekend for the annual Mid-Atlantic Leather Weekend. MAL Weekend thrusts the city’s thriving kink and leather subcultures into the limelight for a range of events at the Hyatt Regency on Capitol Hill. And Zach Renovátes, Dougie Meyer, and…

The Nutcracker at Warner Theatre Is Showing Its Age As New Choreography Adds Life

Now 19 years old, the Washington Ballet’s annual holiday production gets some new life and a lot of devoted care.

From a distance, the Washington Ballet’s The Nutcracker glitters. But up close, the production shows its age. The hanging scenery is frayed. One of the carousel horse’s tails is glued back on. The settee where Clara falls asleep in act one is patched and tattered. “It used to be just green,” says Suzi Kilbourne, production…

COVID Hit All Artists Hard, But For Dancer Kit Aylesworth the Pandemic Put Their Life on Pause

From dance student to bookseller, the American University grad learned that a dance degree and best-laid plans can only do so much when stages are closed. Part 5 of our Dancing in the Moonlight series.

Kit Aylesworth, 25, graduated from American University with a double major in dance and musical theater in May 2020. It was not a promising time for a student who aspired to become a professional dancer. “Dance was basically nonexistent when I graduated,” Aylesworth says. They had already done the legwork, both literally—American’s dance major requires 12…

Not a Side Hustle: Lauren DeVera Is a Multi-Passionate Dance Entrepreneur

An ACL tear kept the local dancer from following her dream. The jobs she took to fill her time have become her multi-hyphenate career. Part 4 of our Dancing in the Moonlight series.

Lauren DeVera felt Los Angeles calling in 2010 after she completed her bachelor’s degree in dance. Getting to the city was both a pressure and a dream. Everyone she knew who wanted to dance professionally seemed to be moving out west, and DeVera couldn’t imagine Chantilly, her hometown, offering many comparable opportunities.  But the fallout…

Loading…

Something went wrong. Please refresh the page and/or try again.