Mark Jenkins’ review of High Fidelity (“Love and 45s,” 3/31) was, roughly, about as accurate as NATO’s “Map-Guide to the Embassies of Belgrade, 1999.” Jenkins complains that the film “bungles […]
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Mark Jenkins’ review of High Fidelity (“Love and 45s,” 3/31) was, roughly, about as accurate as NATO’s “Map-Guide to the Embassies of Belgrade, 1999.” Jenkins complains that the film “bungles […]