We know D.C. Get our free newsletter to stay in the know.

Success! You're on the list.

Clipse (ft. Pharrell): “I’m Good
Clipse has finally leaked a track from it’s long-in-the-works follow up to Hell Hath No Fury and, surprisingly, it’s a love song. But before you get down on the dour coke-rap duo for going gushy, keep in mind that that the object of Clipse’s adoration on “I’m Good” is Clipse. Pusha T and Malice get all up on themselves, praising their taste in cars (“Hell yeah the rims match!”), their accessories (“Ice cubes on my chest, look at my blackberry freakin’ me on the texts”), and letting themselves know that they’re quite a catch (“Fly as I could ever be/ a level of success that you could never see.”) You have to hand it to them, though. When it comes to some Clipse-on-Clipse action, they’re not afraid to come on strong.

Ganglians: “Lost Words
Remember that scene in Animal House where John Belushi rips the guitar out of a hippie’s hands and smashes it to bits against the wall? “Lost Words,” by Sacramento’s Ganglians, might insight a similar style of blind rage, at least for the hot tempered. Gilded in reedy falsettos and cascading waves of autumnal guitar, this is, ostensibly, a song about going to the grocery store.

Black Meteoric Star: “Death Tunnel
A name can go a long way in techno. Were this song composed under a more upbeat moniker and given a title with a little more sunshine, it could easily be misconstrued as party music. But this is “Death Tunel,” by Black Meteoric star, and as such, the track’s pulsing sequenced synths suggest something more sinister. This is music for vintage-sci-fi dystopia and the darkest old-school Nintendo games.

Gang Gang Dance: “First Communion (TV on The Radio Remix)
Less of a remix than a grudge-match between Manhattan and Brooklyn’s two most widely discussed art-rock bands. But there are no winners or losers here, just judiciously programmed 909s. TV on The Radio hurls itself into one of the better songs from Gang Gang Dance’s Saint Dymphna, stripping off some of the original’s lush synthesizers and locking down the tempo to a steady, if jittery, pulse. It’s hard to call it an improvement, but it’s hardly a throwaway.