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The only time a piece of music writing is better than the music being written about is when the music being written about sucks.

This is the case with electronica band Owl City, which makes soulless music. Pitchfork, perhaps in an effort to seem current or some shit, reviewed “Fireflies,” the title track from Owl City’s new album.

Did they review it because it falls under the auspices of experimental music, and yet made it on the radio, providing them with crossover justification? Did they review it because they know what we all know, that you feel less dirty and less derivative when you talk shit about a bad band than when you talk hearts-for-“i”s about a good band?

At least Ian Cohen gave it a “1.”

All I know is that Scott Plagenhoef told me there is an unofficial moratorium on writing about emo at his site. Well, I can see now that this makes total sense: ban good music based on its shitty genre and review shitty music based on its great genre.

Goddamit, Pitchfork, behave!