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  • Trey Graham

    dissects the “artsy collage” of Woolly Mammoth’s fall-of-the-Berlin-Wall story, Full Circle—”a production that breaks through theatrical boundaries as enthusiastically as the citizens of Berlin took that other barrier down two decades ago.”
  • Ted Scheinman praises the National Opera’s Ariadne auf Naxos, “a Strauss gem about the limitations of tragedy.”
  • Also playing: Adding Machine: The Musical; Angels in America I & II; The Alchemist; Lost in Yonkers; Dracula; A Streetcar Named Desire.