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Trey Graham
dissects the “artsy collage” of Woolly Mammoth’s fall-of-the-Berlin-Wall story, Full Circle—”a production that breaks through theatrical boundaries as enthusiastically as the citizens of Berlin took that other barrier down two decades ago.” - Ted Scheinman praises the National Opera’s Ariadne auf Naxos, “a Strauss gem about the limitations of tragedy.”
- Also playing: Adding Machine: The Musical; Angels in America I & II; The Alchemist; Lost in Yonkers; Dracula; A Streetcar Named Desire.
