Do you have a plan to vote?
Let us tell you the information you need to register and cast a ballot in D.C.
Bob Mould moved to San Francisco in 2009, and did not release an album in 2010 (let alone one featuring him as an “electronica” vocalist) but that didn’t stop him from winning two electronica Wammies at the 25th anniversary WAMA Awards show at the State Theatre in Falls Church Sunday night. Late Monday afternoon, the Washington Area Music Association posted the winners on its website. Mould was joined in the winners category by Baltimore’s Charm City Devils, who took home the modern rock group award. The Junkyard Saints, led by Baltimore’s Brian Simms, won best roots-rock group.
Some folks from the Washington, D.C., area won awards, as well. Blues-rock singer Mary Ann Redmond won a WAMA award for the 17th time, and country/roots-rock singer Ruthie Logsdon took home her 40th and 41st WAMA awards. Al Williams, known mostly for smooth jazz these days, took home a jazz musician trophy. Roots-rocker Janine Wilson won the album of the year category.
With the long-troubled Wammies, the artists who do not win or even get nominated are as important as those who do. WAMA leaders have said they sometimes consult “experts” to fill out the nominations slots, and in recent years they have, indeed, reached out to Washington City Paper writers (including me). But they’ve then largely ignored those suggestions.
Despite pleas from D.C. Blues Society members, WAMA for the second year in a row chose not to select any old-school blues or soul artists for its hall of fame. As previously noted, WAMA also left out all metal bands, traditional D.C.-based Ethiopian, Haitian, and mariachi musicians, new indie-rock labels, southern soul groups, and many more. While those artists have received media and public attention here and elsewhere, the dues-paying, voting members of WAMA are apparently not interested or aware of them.