No longer much interested in location shooting, Jean-Luc Godard took an assignment to make a film about Russia for Aaron Spelling’s World Vision and set it entirely in the Russian literature and film on his shelves—and in his head.
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No longer much interested in location shooting, Jean-Luc Godard took an assignment to make a film about Russia for Aaron Spelling’s World Vision and set it entirely in the Russian literature and film on his shelves—and in his head.