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If Ink, Peter Quinn’s stripped-down follow-up to Candy Machine, was twice as criminally underappreciated as its predecessor, Lo Moda is even less likely to bring the singer into the spotlight. The Baltimore musician’s latest project will probably only push him further into the artistic obscurity he seems to voluntarily get lost in. Good thing for the masses, then, that Quinn released the minimalist six-piece’s first full-length, Gospel Store Front, through Creative Capitalism—the Charm City music/art collective he co-founded. Those familiar with Quinn’s previous efforts will easily recognize the grating, midpitched monotone that graces all but the solitary instrumental track among the album’s 12 songs; violist Raili Haimila and keyboardist Gillian Stewart Quinn (Peter’s wife), meanwhile, manage the difficult task of keeping things light while adding sonic weight to the traditional drums/bass/guitar/vocals lineup. Lo Moda performs with Tone at 9 p.m. at the Black Cat, 1811 14th St. NW. $7. (202) 667-7960. (Matthew Borlik)