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The two female painters in Long View Gallery’s latest exhibit are both known for portraying the human body: one for displaying her own, and one for painting others’. Better known for being in art than making it, Jessie Mann, whose mother, photographer Sally Mann, exhibited naked childhood pictures of her, became the subject of a New Yorker piece about her posing nude for photographer Len Prince. Jessie Mann’s paintings are considerably more tepid—inspired by her childhood in the Virginia countryside and mentorship by Cy Twombly—they have a Jackson Pollock-meets-Hudson River School aim. Compare that to Mary Chiaramonte’s intriguing figures, with their big, blocky hands and broad shoulders, which look as though they have been carved from stone. Her strong men and women are both sentimental and cheeky. A tender painting of a man kissing a woman’s hand, “A Hundred Years,” hangs near “The Cheat,” which shows a figure either about to present or hide the evidence of an affair: a shirt with lipstick on the collar. The exhibition is on view from 11 a.m. to 7 p.m. daily to Saturday, March 15, at Long View Gallery, 1302 9th St. NW. Free. (202) 232-4788.