When everything’s caught on video, nothing—not even the worst of our sins—is ever lost. In writer and director Wojtek Smarzowski’s Poland, where law and life are greased with corruption, this makes for a mess of footage. Cell phones and surveillance tape crowd Smarzowski’s camera, both driving and muddling the plot, and the resulting clutter knocks the narrative off balance. Good thing that’s the case, because you know this story already: Flawed cop is framed for murder, a mystery he must solve on the run. But what could easily have been another tired thriller becomes something else entirely when buried by found footage. By forcing us not to solve one crime but to sort through a number of them to find the right one, the film unsettles rather than thrills. Taken together, the mess amounts to a single scathing comment, asking more than it aims to answer.